Rained Out in Accokeek

Piscataway Creek at Low Tide, watercolor, 6" x 9-1/2."

Last weekend at Accokeek a group of friends had planned a kayak picnic to see the full moon rise over Piscataway Bay on Saturday evening. To travel light, I had taken only my watercolors.

The weather didn't cooperate--thunderstorms in the afternoon and into the evening forced us to call off our picnic on the water. In the afternoon, Linda and I went down to the newly-installed boardwalk at the park to try to get in a quick sketch. I was maybe ten minutes into my sketch when ominous steel-gray clouds began to crowd the sky. I hoped the storm might blow over to the east of us, but a minute later, I glanced overhead, and it was obvious we were in for it. I packed up as fast as I could and beat feet to my car. The downpour had not arrived yet so I grabbed my camera and went back to the creek to photograph the scene. The first drops started as Linda and I took photos; we ran back as the rain picked up, and by the time we got back to the car it was pouring. I finished this sketch from memory in Patrises' studio. It's interesting to see how much darker and somber the photo looks. To the naked eye there was a lot more color and light, particularly yellows in the marsh grass.

Instead of the picnic, we had a wonderful dinner at Josephine Withers'--her house is most usual; I remember reading about it in the Washington Post many years ago when it was first built, never dreaming I'd ever meet her and get to see it in person. She is an art historian and counselor, and a fabulous cook--her garden-grown tomatoes & veggies were a special treat.

Tickseed Sunflowers, watercolor, 10" x 7."

Next day, I went back with Linda to Piscataway to try for another sketch. The weather was once again threatening, and light sprinkles punctuated the morning, but gradually, the sky cleared. By the time I was finishing this one, the sun had come out and was heating up the day. It was one of those DC weekends: if you don't like the weather, just wait a few minutes.

Call of the Lotus

About a month ago Herb and I went down to kayak at Mattawoman Creek--though very hot, it was wonderful, except for having to wear those bulky life vests! We rented a tandem kayak from Up the Creek at Mattingly Park. I'm going back down again this weekend to visit my friend Patrise, and hopefully we'll do a moonlight paddle as the full moon rises this Saturday.

I wonder if the lotuses are blooming? We'll find out soon enough.

I'm off to Accokeek to paddle!

Brookeville Plein Air

Brookeville Home (307 Market St.), oils on linen panel, 12" x 9."
SOLD

Last Saturday was Plein Air Olney's third paint-out of the season, held in Brookeville, a historic town north of Olney, MD. The painters were to register between 8 and 9 AM to have our panels stamped, and most of us were there on time, trying to get an early start to beat the heat.

During my years as an Olney-Sandy Spring resident I'd driven through Brookeville hundreds of times, but oddly enough, I'd never actually walked around the place. I had not realized there were all kinds of interesting gravel side streets with homes tucked way back there. I met up with Hiu Lai Chong, the hottest young painter around (she's won the top prize for both the Easels in Frederick and the Ellicott City Paint It competitions this year), and we walked around together looking for spots to paint.

We both settled on this house at 307 Market Street, as the Brookeville Walking Tour Guide informed me later. The house, built before 1809, has the look of an old Georgetown row house in the Federal style, but with a lot of side yard. The morning light on the old brick and the vine-covered facade brought out such wonderful colors, it was irresistible. A little shade across the street was another plus.

I set up very close to the curb where Georgia Avenue curves around sharply, and some workmen across the street kept yelling at me that I was sitting in the "death seat" because any southbound car taking the curve a bit too fast was bound to hit me. Fortunately, no such thing occurred, and I was able to finish my painting a short time after noon, when the light had changed completely. I went back to my car and got my sandwich so I could eat lunch in the shady yard of the Brookeville Academy where the wet painting sale would be later on. I had no energy for another painting and the heat was mind-boggling, so afterwards I just got my painting, put it in a frame and set it up on my easel (after cleaning the palette).

The reception and sale started at three, with a lovely spread of home-made breads, jams and watermelon. I wish we'd had more visitors and buyers, but considering the heat and vacation season, we were glad to have as many as were there.

Greenbridge Boat Ramp

Greenbridge Boat Ramp, oils on panel, 9" x 12"

Today the Howard Plein Air group met at another location new to me--the Greenbridge Road boat ramp by Tridelphia Reservoir. I was running a bit late and by the time I got there, the other painters were all set up and working. They had chosen the north-facing side of this shallow cove where one could stay cool in the shade--the weather reports were calling for the thermometer to hit a hundred by afternoon.

The greenish-blue tint of the water looked so inviting set against the white-hot light reflecting off the reservoir, it was tempting to jump right in and forget about painting. But the local authorities frown upon that, since this is our drinking water.

I set my easel on the slope above the cove and included the figure of one of the other painters on the shore along with the boats. I was surprised by how easily the trees went in, they practically painted themselves. The water and reflections were harder, gauging the right values and colors. A cooling breeze coming from the trees helped to ameliorate the mounting heat as noon approached.

As I was finishing I happened to glance at the water and there, easily visible in the clear water of the cove, was something very large swimming close to the surface. A golden brown color similar to the tree trunks, and wide--it must have been a catfish--but of such a size, it was downright spooky! The thing actually left a wake. Maybe swimming here is not such a good idea after all.

Small Studies in Pastel

Summer Storm, pastel on Wallis paper, 6 "x 9."

I love watching the sky when a storm is approaching. For some reason, this usually happens as I'm driving, and our roads present great opportunities for panoramic views. Unfortunately, I rarely have my camera with me, and perhaps that is just as well--it might be too dangerous to get distracted trying to capture the fascinating play of light and sudden changes in the weather while driving. This is where memory comes in handy--I try to memorize every striking color combination and subtle, seemingly impossible contrast, texture and shape.

One recent evening driving home on Route 108, the summer storm was particularly dramatic: sheets of rain were dropping from one side of the low-lying clouds, with very cool bluish-gray clouds against the lovely soft orange where the sun was setting. I tried to etch the colors and shapes in my mind so I could reproduce them when I got home, but I didn't get a chance to work on it until late that night, on a small scrap of Wallis paper.

Sun in Lawn, pastel on Wallis paper, 9" x 6."

Next Saturday I did a study of the early morning light filtering through the trees in my back yard. At this time of the year a long sunbeam appears across the lawn next to the cedar tree that was split two winters ago. The radiating shapes of the light seem to be charged with meaning, like the visual embodiment of a badly-needed ray of  hope.

Evening Light in the Trees, pastel on Wallis paper, 9" x 6."

This last one I dashed off looking out my studio window as the sun was setting--the shades of the leaves against the golden light beyond were so lovely and so impossible to catch! I really enjoy these small studies where I can go hog-wild with color and freedom that I would not dare elsewhere. In a larger painting there is more at stake: investment in time and materials, so one feels more constrained to think about the rules, to turn in a "good performance." Sometimes this doesn't work to our advantage.

Ellicott City Paint It 2011

Storm in Ellicott City, oils on canvas panel, 12" x 16."

The Ellicott City Paint It took place last weekend. I was one of the juried artists, and this year we were to submit two of our best pieces for the competition. The show will be on display at the Howard County Center for the Arts until August 25.

The competition was terrific--it was challenging and stimulating to compete against so many accomplished artists. After seeing all the work produced over the weekend, my impression was that the quality of the artists and work was even stronger than last year. The top prize went to a young lady from Rockville who is really hot--she also took the first place at Easels in Frederick recently--Hiu Lai Chong. I had met her last year and was impressed with her skill, but this year, watching her work on her award-winning piece was a real eye-opener!

It was great fun to run into a number of artists I'd met at other plein air events these past few years, and seeing how their work has evolved was also very inspiring. It's an honor to be among these artists.

Hi Ho Silver, oils on canvas panel, 12" x 9."

My own work was not very strong this year--I painted four pieces and these two here were the best of the bunch, but definitely lacking in the drama I had hoped to capture. They show what a long ways I have to go before I can aspire to enter the winners' circle. That's wonderful part of these events, how it makes us all strive to do better, to catch the excitement of the light, the subject, everything about painting en plein air.

A Rare Summer Day

Summer at Daniels Area, oils on canvas panel, 12" x 9."

It was one of those rare summer mornings, unusual for the DC area--cool and with the air so clear it felt more like early fall, or perhaps Canada. The Howard County Plein Air group was painting at the Daniels Area of  Patapsco Valley State Park, a favorite site of mine.

Deborah Maklowski was already set up and sketching when I arrived, and there were a bunch of young women putting out canoes on the river. A canoe transport trailer and cars took up all the room in the parking lot, so I pulled up by the side of the road to park. The girls were from Baltimore's inner city on a special job corps program, and most of them looked as if they'd never been on a canoe before. Eventually, they and their leaders launched off on their trip and things quieted down some, although people came by all morning to launch kayaks, canoes, and even one inflatable boat. It was a great day to be on the water.

I wanted to get as close to the water as possible, but it was hard to find a spot out of the traffic. I managed to set up my easel on the slope of the bank under the thick shade, adjusting the tripod for the steep slope, and sketched out my composition.

I usually start my painting with the sky to establish the light, but today I started with the tree overhanging the water, going in really dark, then painting the areas around it, adjusting the colors against it. I think the approach worked in general, but I would have liked to get better modeling of the tree itself. I should have tried for more variation between the color of branches closer to the viewer and those farther away, to give the tree a more three-dimensional effect. As I strive to do better with each painting, every time I achieve one thing I see other missed opportunities. When does one finally--if ever--manage to get it all down?

Plein Air Olney at Blueberry Gardens

Blueberry Gardens.

My painting sold to Deborah, owner of Blueberry Gardens.

Plein Air Olney staged its second paint-out yesterday at two side-by-side properties in Ashton: historic Tanglewood estate, and Blueberry Gardens. At last year's Plein Air Olney event I painted at Tanglewood, one of the designated painting locations, but I had never visited Blueberry Gardens next door, even though I had driven past many times wishing I had time to stop to pick their organic-grown blueberries. Herb actually stopped by there last year for the first time and picked some blueberries which were delicious.

It was cloudy when I arrived at Tanglewood for the artist check-in--it had rained earlier and I was afraid there might be more rain, but fortunately, it cleared up as the day went on. I walked around Tanglewood and then up the road to Blueberry Gardens to look for places to set up. I settled on some of the picturesque out-buildings at Tanglewood for my morning painting, and walked back with my gear. Two other ladies were already there, and I accommodated myself between them trying to not get in their line of sight.

After a while another three artists set up close by, and as the morning progressed the sun gradually came out. At mid-morning the owner, Michelle, let her chickens out of the coop. We enjoyed seeing her Rhode Island reds and guinea fowl pecking around. I managed to quickly put in a few chickens in my painting. By the time the painting was finished, I was standing in full sun and it was getting hotter by the minute.



Farm Buildings at Tanglewood, oils on canvas panel, 11" x 14."


I packed up and took the painting back to my car, deciding to skip lunch--I hadn't thought to bring a sandwich and there was not enough time to complete a second painting by three o'clock if I went out to get a bite. It was too hot to stand in the sun to paint. The owners of Blueberry Gardens had set up a tent at the end of their drive for their business. They were having open house today as part of the day's events, with free demos of the offerings at their Octagon Studio: Yoga, Reiki, Acupuncture and massage.

I asked the owners, Robert and Deborah Boggs, if I might sit on one of the chairs to paint in the shade of their stand, and they most kindly welcomed me. From there I had a wide view of the neatly laid-out rows of blueberries and the pickers, with a plastic frame greenhouse and trees as a background. I had to make this painting much looser than the morning's if I wanted to finish it in time, so I attacked my smaller panel ruthlessly, blocking in the rows and grass paths between them with broad, sloppy strokes. I tried not to worry about the mess and just concentrate on covering the entire canvas with color quickly, sticking to the big shapes, then adjusting the colors, Only when it was pretty far along did I start to bring out some details in the rows of plants and trees beyond, and add a dash of color here and there to suggest a few people picking berries. Deborah watched these steps with curiosity, especially the last ones, seeing objects emerge from this apparent confusion. I must say it surprised me too, and I liked the effect. This was closer to what I wanted than the more structured morning painting.

The time for the reception and wet-painting sale came much too soon. I carried up my painting on the easel into the Octagon studio and left it there. I had to walk back to my car parked at Tanglewood and drive around to the Blueberry Gardens to bring the other painting and the frames for the show. I slipped the Tanglewood painting into a frame working in the trunk of my car, took that one into the studio and brought back the Blueberry Garden painting to frame outside, again in the trunk, then took it in to set back on my Guerilla Painter easel.

There were lots of folks at the reception, and some delicious home-baked goodies: a blueberry buckle, blueberry mini-tarts, blueberry muffins, a shortbread with Mascarpone made by Tara, and fresh blueberries, of course! I was so starved, I scarfed these up gratefully with a glass of wine. I was so pleased that Deborah bought my painting as well as a lovely pastel by another artist. Michelle bought Tara's painting of  the fields at Tanglewood.

Herb came to the reception and managed to get a taste of the last of the blueberry goodies. After the reception ended and we had packed up all my art gear, we went out to the garden and picked a pint of blueberries to take home. I will be stopping by to pick more berries this summer, now that I know the blueberry season is longer than I thought--to the end of August.

You can see more photos of the Blueberry Gardens reception in my album here at Flickr.