Turning of the Season

The front yard in mid-September.

 

Despite the recent unseasonable heat, now that the days are becoming shorter, the quality of the light begins to change. In the evenings, during "the golden hour," the light becomes like liquid gold that washes over my garden, drawing me in to admire the turning of the season.

 

Hardy Begonias

 

The hardy begonias in the front garden are putting forth their blooms, while the red and white impatiens around my potted Camellia have grown out to cover the bed where the Narcissus bloomed last spring. The roses  are starting to re-bloom now that the temperatures have turned down somewhat. The dogwood's leaves are starting to turn bronze, setting off their charming red seeds.

Unlike our usual Septembers, rain has been plentiful: the month kicked off with over three inches from the remains of hurricane Ida, and several other big thunderstorms have brought a total of more then seven inches thus far. It's raining again today, so I wonder how much more we'll get.

Zinnias in the rose bed.

My zinnias are still looking good--I'm hoping they will re-seed themselves next year, but if they don't, I can always buy more. A walk around to the west side of the house reveals that my shrubs and trees are making progress, despite the damage from the seventeen-year locusts this past spring. These locusts lay their eggs in the young twigs of trees and shrubs by piercing long slits in the bark, and once weakened, the branches break off easily, setting back the growth of several years. Thank heaven they only surface once every seventeen years!

The back yard from the west.

The aisle between Herb's bed and the Little Indians.

Herb's bed is looking great with the 'Autumn Joy' Sedum flowers coloring pink, echoed by the sedums in the Little Indians bed. The feathery seed heads of the Muhly grass are just starting to emerge-- the yellow and orange Chrysanthemums add splashes of color as the Amsonia hubrichtii's feathery foliage begins to turn yellow.

 

Autumn asters (Symphyotrichum laevis) and Amsonia hubrichtii

My veggie patch

 

My veggie patch is currently producing a nice crop of wax beans. When these die back I'll plant some garlic cloves from this season's crop. As soon as the asparagus roots I ordered arrive, they'll go in where the dying flowering peas are now. The flowering peas were a disappointment--I must to face the fact that our hot and dry Virginia summers are not a suitable climate for these old-fashioned, scented climbers.

I'll be expanding the enclosure to include the asparagus. Deer generally don't eat asparagus, at least that was the case in my previous garden, but here, who knows? Better not take any chances. I love the way the wild goldenrod and woodland asters left to grow around the enclosure decorate it--they may be weeds, but much more interesting than plain grass.

 

The Badlands

The rear bed which we call "The Badlands" continues to improve despite the depredations of the deer. The Purple de Oro daylilies managed to display a few flowers despite being frequently devoured, but the Shasta daisies don't appear to have many flower buds this year--the hot and dry summer was not to their liking. I was hoping that the aromatic asters (Symphyotrichum  oblongiflolium) behind them would grow tall enough to be seen behind the Shastas, but for some inexplicable reason, this one plant stays short in this bed, whereas the one I have next to the house is at least 36-40" high with a similar spread. These will soon begin to flower along with the swamp sumflowers.

 

Black cotton (Gossypium herbaceum 'Nigrum')

I grew several black cotton plants from last year's seeds but only two of them have grown to blooming size. The deer invaded my front yard several times earlier in the summer, and ate some of these back as well as other potted plants. After moving the pots onto the deck, late in the season this one plant decided to unfurl several flowers at the same time.

 

Butterfly bush (Buddleja Lindleyana) with red-hot poker flower (Kniphofia)

Buddleja lindleyana

The new Buddleja planted last fall is growing well despite being attacked by deer--it's classified as deer resistant, but only a garlic oil clip on it kept the deer from chewing it down to stubs. It finally started to bloom in late August, and hopefully as it gets taller the deer will do less damage. The hummingbirds loved the flowers!

 

Colchicum 'Waterlily'  bud

Close-up of Colchicum bud

I was surprised to spot this lovely pink bud coming up out of the bare earth, until I remembered that I'd planted an autumn crocus, Colchicum 'Waterlily,' there. A little earlier than expected--the autumn equinox is taking place today. I hope the Colchicum will produce a few more flowers than last year, and begin to multiply.

Herb was looking out from the deck while I was out take these photos, and I couldn't resist including him in the last photo. We finally had the stairs sealed this past summer and the deck got another coat of sealant.

Herb overlooking the back yard.

Soon I'll be going into my fall planting frenzy once again. Fall is a wonderful time to plant in our area!

Dog Days Coming Around Again

Great Blue Lobelia (Lobelia syphillitica)

Great Blue Lobelias

The dog days of August are coming around again, as they do every summer. After July's record high temperatures, they don't seem so awful, thus far.  My Great Blue Lobelias have put forth more flower spikes than ever this year, and they are gorgeous. The crabgrass and weeds are lush, too--I went out yesterday morning to weed around my veggie bed and try to tackle the worst of it in the back yard beds. Two hours later I was drenched in sweat, had one large plastic bag full of weeds, and feeling that I'd barely made a dent. It will take many more sessions to get the weeds under control, in as much as that is at all possible.

Black or Levant cotton (Gossypium herbaceum ' Nigrum')

My three black cotton plants grown from Lili's seeds are producing lots of flowers and bolls. The seeds were collected from the U.S. Botanic Gardens a number of years ago (I've seen this exotic annual selling for amazingly high prices in catalogs), and thanks to my daughter-in-law's green thumb, we've managed to keep this line going.

Black cotton flower bud.

The following spring the collected seeds went in my garden beds, and I shared some with my daughter-in-law. But with soil as poor as mine, only a few blooms and bolls with seeds developed.  Lili had better luck in her garden, and managed to get enough seeds to return the favor last year. The flowers are so lovely! Their beauty is hard to appreciate fully because they tend to hide under the foliage.

Black cotton flower

I've done paintings of both the Great Blue Lobelia and the black cotton--my Great Blue Lobelia painting sold last year, but I still have the watercolor of black cotton that I painted as Artist in Residence at the U.S. Botanic Garden in 2018. The specimen I worked from didn't have any flowers present so I introduced some from my photos taken of the ones I'd grown. Unfortunately, my photos didn't show the exact way the flower stem grows out from the middle of the leaf petiole, so I didn't get this detail quite right. I'm tempted to try another painting to correct my previous misunderstanding.

The back yard from the Badlands.

I took this photo of the back yard from the rearmost bed, the one we call "The Badlands" because the soil there was the worst imaginable. I remember well how little grew here and all along the perimeter of our lot at the edge of the woods. My idea for landscaping this area was to create a transition zone for the huge trees at the edge of the woods with a series of smaller understory trees. These three trees were the first I planted in the back yard: a dogwood, which revealed itself to be a C. kousa (Asian) type only this spring, when it finally produced its first blooms, a redbud (Cercis canadense), and behind that, a Seven Son Flower tree (Heptacodium miconoides) which is a native of China.

Seven Son Flower tree (Heptacodium miconoides)

Flowering clusters of the Seven Son Flower tree

The common name for this small tree comes from the observation that the number of flowers in each cluster is usually seven. I bought this Heptacodium as a sapling on sale for the amazing price of $6--the selling point for me wasn't just the price, but that the tree blossoms in August, at a time when little else in the garden is in bloom, the blossoms are fragrant, and it grows fast.  After planting it I've had time to appreciate its other attractive features--in autumn, after the flowers fade, the sepals turn pink, giving the appearance of a second flowering, and the bark peels in layers of different colors that make a wonderful display in winter.

Basket of begonia.

I didn't find any fuschias for the hanging baskets on the porch this year, so I bought this beautiful red Begonia instead. Calibrachoas in several colors went in the two other baskets, with the addition of some creeping Jenny (Lysimachia nummularia 'Aurea') hanging over the edges. 

Hanging baskets of Calibrachoas on the porch.

The recent rains have brought out some new flowers: Crocosmia 'Lucifer's red flowers make a nice contrast against the fluffy blue Ageratum, with orange marigolds. The yellow Chrysanthemums are already starting to bloom, despite earlier de-budding. I'm curious to see how the 'Autumn Joy' sedum will look in the fall when the pink Muhly grass puts out some of its plumes--the deer have really chewed up the sedums!

Herb's bed.

Artist in Residence at US Botanic Garden

Painting at the US Botanic Garden

The first week in October was my week as Artist in Residence at the US Botanic Garden in Washington, D.C. This unique opportunity came my way as a member of the Botanic Artists Society of the National Capital Region (BASNCR), a regional chapter of ASBA. In conjunction with the American Society of Botanic Artists' (ASBA) exhibition: Botanical Art Worldwide: America's Flora displayed in the West Gallery, the USBG presented the "Botanical Art in Action" program as a way of showing the public how botanic artists create their work. Artist members of the BASNCR volunteered and were assigned one week for each of us to be present and create a work from the garden's collection.

We were asked for our preferences in plants we'd like to illustrate, and I gave my first choice as the ornamental Black Cotton (Gossypium herbaceum 'Nigra') AKA Levant Cotton, a plant I'd admired a few years back when they had some lovely specimens growing outdoors. I'd collected some cotton bolls with seeds at the time, and planted them in my garden the following spring.

My plants didn't grow as well as theirs, of course (I have very poor soil), and the seeds from them turned out to not be viable, but I had a chance to see the unusual blossoms, which were beautiful! It was primarily the flowers that had beckoned me to choose this plant to illustrate, though the bolls are also lovely.

The USBG staff found me a nice specimen to work from, but as expected, it was too late in the year for flowers. No problem--the plant had many well-developed bolls, and I had brought some of my photos of the flowers to try to incorporate them into my piece.

The specimen.

The specimen was quite large, my first problem was how to approach the drawing--with just a few days to work there, doing the entire plant would be an impossible task. The only solution was to simplify: select one or two typical branches and focus on those. With that in mind, I set out to capture those branches in a line drawing and compose the arrangement.

Step 1: a line drawing.

The leaves were a challenge because they varied considerably in shape, and folded and bent in particular places, making them look very different from different angles. I traced my first drawing over a couple of times to correct the proportions, and broke up some of the stems to come up with a pleasing composition. This process took up the first day, while I answered questions about what I was doing and chatted with a number of visitors that came into the gallery.

Since I live some two hours away, I'd planned to spend two nights with my sister who lives in the northern DC suburbs, to cut down on my mileage. The rush hours traffic in the DC area being what it is, the actual travel time was only a bit shorter than from my house, but it was still a big help.

The following day I laid a piece of tracing paper over my drawing to do a shade and shadow study. While I was doing this, I shared the gallery with a class of some twenty 8-10 year old children who were learning how to re-pot an orchid.  Despite the added noise, listening to their class was a lot of fun. I was impressed by how well-behaved these children were, how engaged, and how the instructor was throwing them some pretty big words such as "epiphytes" and "terrestrial." After the class I asked what school they were from and was told they were from a charter school in DC--good for them!

Step 2: a shade and shadow study.

I added a detail of an open cotton boll in the empty corner in the afternoon. Once I had this shade and shadow study, I felt confident enough to start tracing my drawing in ink, ready to transfer it to the watercolor paper. I finished my tracing by the end of the second day there.

The following day I was ready to start painting, but since the unusual colors of the plant were so challenging, I thought it best to do some practice on a separate swatch of paper first. The artificial lighting also changed the colors somewhat, making them even harder to render.

The plan in artificial light.

Step 3: color practice strip.

My theory was that the underlying color should be green, overlaid by a reddish-purple wash. As a test, I did the leaf on the right using this approach, and the one on the left with the opposite--the red-purple wash below with green on top.  Applying the green first seemed to yield better results, so I went with that. Now I was ready to start the piece in earnest.

I started with the cotton boll on the upper left, laying in the shape of the cotton first, then the pod. while the washes dried, I began laying in the color of the flowers at the upper right. This was as far as I got by the end of the third day.

Step 4: painting the boll and flowers.

I stayed home the next two days to work on my garden and celebrate Herb's birthday, then drove back to USBG on Saturday morning. As anticipated, there were more people here today than on the previous weekdays, and I talked to a wide spectrum of visitors from many different states and abroad. It's a wonder I managed to get anything done, as I continued to add detail to the boll and flowers, while working in the greens of the leaves.

Step 5: underpainting the leaves.

At the end of the day, I had the underlying green for a few more leaves. The next day was our BASNCR quarterly meeting, and I would have no time for more painting. I'd have to finish the rest of the painting at home, relying only on my reference photos and sketches. During the first week after my on-site work, I put in the colors on the leaves and the first unopened boll on the left.

Step 6: more leaves and stems.

Step 7: the first boll and more leaves.

Step 8: two more bolls, leaves and stem

After letting the green wash settle for some days, I started putting the second, purplish-red wash over the leaves. Painting the larger leaves was particularly daunting--I was afraid that the green wash would run if the second wash was too watery.

Step 8: finishing color of the leaves

I was one leaf away from finishing the second wash on the leaves when I took a break to attend John Pastoriza Pinol's wonderful botanical art workshop at Brookside gardens. I wish I'd known about John's theories on color and transparency before I'd started on my piece, I would have taken a very different approach to my palette selection. But, even in these last stages, I learned enough to want to modify this piece to some extent. I've been working on the leaf surfaces and veins, trying to bring in more detail: the veining and reflected light, as well as the light on the bolls, and more color overall into the piece.

This story has taken so long to develop and write, I'm going to close this post now, without the finished piece, and show the modifications on the finished work in the next post.

Garden Interlude

Caryopteris 'Longwood Blue' with marigolds

After a very dry June, July and August, usually our driest months, brought plenty of rain. My rain gauge recorded over eight inches in July and five in August. The plants responded gratefully. Above is one my new beds in the back, with Caryopteris 'Longwood Blue' and a dwarf Fothergilla to the right, surrounded by marigolds and a black cotton plant behind the Caryopteris.

Black cotton (Gossypium herbaceous 'Nigra')

Close-up of  black cotton flower

I grew the black cotton from seeds collected at the USBG last fall. I should have started the seeds indoors earlier, as the plants developed much too slowly after being set out in the beds, and didn't begin to bloom until late August. I haven't seen any seed pods yet, so I may not be able to continue the line unless I am lucky to collect more cottony seeds at USBG during our upcoming BASNCR fall meeting. The flowers are quite lovely with their intricate veining. I would love doing a painting of this plant, as well as the one in the photo below.

Cuban Raintree (Brunfelsia nitida)

One pleasant surprise was this single flower on my Cuban Raintree plant which I've been growing for the past year. I set it out on the porch this spring hoping it would bloom, to enjoy its heavenly scent, but only one flower appeared. This is supposed to be the Cuban "Galan de noche" fabled for its perfume--but it seems to be a fussy plant at these latitudes. Perhaps it may do better next summer, if I can keep it going during the winter...

East bed in the evening

All of the native plants I put in last fall are performing well--the hardy Ageratum (Conoclinium coelestinum) above, and the Great Blue Lobelia (Lobelia siphilitica) have both grown lushly in the east bed among the Japanese maples. The Carolina Silverbell tree (Halesia carolinana) on the back left is growing into a respectable-sized shrub. Herb helped me plant a Sourwood tree (Oxydendrum arboreum) in front of it in late spring which unfortunately died back to the ground, and is regrowing from the roots; it's only 6" tall at the moment, and is a slow-growing tree, so it will be a while before it looks like much.

Great Blue Lobelia (Lobelia siphilitica)

The back yard in July

Despite the large, still-empty expanses, the backyard is gradually attracting more birds, butterflies and bees. We have a pair of nesting bluebirds nearby that have raised several broods in the past couple of years--the fledglings like to visit our deck and we enjoy watching their antics. The mockingbirds love the blackberry bushes in back, and some mornings I would see four or five of them perched in the bushes, gorging on the berries. One morning I was able to observe a male Ruby-throated hummingbird perched on my neighbor's tree, preening and stretching his neck to show the telling ruby spot on his throat.
 

Pink striped Oakworm moth

Another morning after a rainy night I found this moth clinging to the sliding door screen. An internet search revealed it was a female Pink Striped Oakwood Moth (Anisota virginensis pellucida), an insect I'd never seen before. It stayed there for a long time and appeared nearly dead, so I waited and eventually carefully gathered it for my insect collection. Adding pollinating insects or birds to botanical paintings has become very popular lately, and I've started collecting as many as come my way for future use.

White hibiscus (Hibiscus moscheutus)

Here are more photos of the beautiful seasonal flowers from this year's summer garden. Every year is a revelation of color and form, of nature's perfection. This living canvas of plants is a challenging way to create beauty, and very humbling, but the successes are so rewarding.

Daylily hybrid

Daylily hybrid

Yellow rose 'Molineux' with catmint