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Painting in the sun (or shade) for five to six hours a day is hard work, though others in the group said this was a relaxed pace as far as painting workshops go. Sara had us do exercises such as 50-stroke paintings, that were beneficial. Making every stroke count was hard, but great discipline. My art leaped light years ahead in just a couple of days, and I feel much closer now to being able to paint oils the way I want to: looser, and full of luminous natural color.
This is my last painting at the workshop, not quite finished, but my best by far. I'm hooked on painting plein air; it's one of the most challenging yet satisfying things an artist can engage. How I wish I could spend more time painting and taking workshops. I'll have to work on that some more.