Hiking on Dolly Sods, Part 2

 

Red Spruce forest.

 

 

We were still on the Wildlife Trail, which is about 1.6 miles long. Eventually we crossed a stream, and the terrain began to change. The forest became denser, darker, and mossier, the ground rockier. We must be getting closer to the junction with the Rohrbaugh Trail. It was getting on toward four in the afternoon.

 

Getting on the Rohrbaugh Trail.

 

The junction with the Rohrbaugh Trail was marked by a sign; one could see the trail dropping downhill on the right and the light through the trees hinted at the deep canyon beyond. Taking the left hand side, the Rorhbaugh Trail continues towards some towering cliffs. We crossed another smaller sod, where we saw a couple of Monarch butterflies--too far away to photograph. The bees were having a feast on the Goldenrod.

 

Bee on Goldenrod

Heal-all (Prunella vulgaris)

Getting closer to the cliffs one could see the mountains on the other side of the canyon through the Mountain Ashes in fruit. In this more exposed area, being drier, grassy spaces bordered by Rhododendons, mountain laurel, blueberry and huckleberry bushes opened up.

 

The western side of the mountains through the trees.

Rhododendron and Mountain laurel meadows.

 

Ground pine and reindeer moss grew under the dwarfed spruce on the sparse soil near the cliffs.

 

Ground pine spore structures with reindeer moss and ordinary moss.

 

Side paths near the Rorhbaugh cliffs.

Climbing over the rocks toward the overlook, one can begin to appreciate the size and splendor of this vast wilderness--the view is spectacular! 

 

Climbing towards the overlook.

View from the overlook.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Rorhbaugh Cliffs.

 

Getting back to the main trail we wandered through through thickets of  Rhododendrons and Mountain Laurel so dense they overhung, forming tunnels.

 

Getting back on the main trail from the overlook.

 

 

Rhododendron forest.

 

Beyond the climax of the overlook, the trail stepped back into the shelter of the forest. The forest once again changed character, becoming very mossy and lush. The rocky trail was intersected by a number of small streams and run-offs, and the Rhododendrons were taller, shaded by red spruce and hardwoods. The tree roots intruded upon the trail as much as the rocks, making it difficult to walk smoothly. The muddy patches continued, and we had to skirt around them as best we could.

 

The Rorhbaugh Trail beyond the overlook.

Big Belled Web Caps (Cortinaria largus)

Stream on the Rohrbaugh Trail.

 

Mushrooms began to appear again, though not in the profusion and variety as on the Wildlife Trail. Mosses carpeted the sides of the trail and rocks, Sphagnum moss in the wetter parts.

 

Moss on the sides of the trail.

Sphagnum moss.

The tall trees, Rhododendrons, and mosses gave the forest a magical, fairy-land atmosphere. Imagine how lovely it would be when the Rhododendrons and Mountain laurel are in bloom!

 

The Rorhbaugh Trail

 

This was the last photo I was able to take--my phone ran out of power completely right after this. The rest of the hike was very similar, rockier and muckier in some places, up and down, mostly up, with many beautiful sights. We harvested two more Lion's Mane mushrooms along the way, fortunately well within our reach without needing any sticks. More than enough for a great supper for both of us and our spouses!

We were totally exhausted by the time we reached the trailhead and my friend's car, well past six PM. We'd been hiking for over five hours to cover the 5.2 miles of both trails. We drove back to my car at the Wilderness trailhead and drove down the dusty mountain road as the sun was leaving the tops of the trees on the heights--it was after 7 PM and starting getting dark.  We were still a two and a half hour drive from our homes--I didn't get home until a quartet to ten that night.

I "left it all" as they say, at Dolly Sods that day, but I'd love to come back in the spring to see some of the bogs in the lowlands, as well as the Rhododendrons and mountain laurel in bloom!

Another Field Sketch Transformation

 

The Ledge at Calmes Neck. colored pencil, 14"h x 10"w.

Having obtained permission from one of the homeowners who lives there, I went back to Calmes Neck the week following the Virginia Native Plant Society's excursion to do another field sketch. I wanted to capture the red Columbines growing on the rocky ledges, with the idea of doing another piece on the unique plants that are found there.

I arrived mid-morning and was given a wonderful tour of their art collection by the owners of the gorgeous custom log cabin home. After that, I walked down the hill with my gear to find the best spot for my field sketch--there wasn't any level ground, so the best I could do was to balance my portable chair between the ledge and the steep drop-off, using my feet--a rather uncomfortable position, but the best I could do.

 

My gear on the ledge.

As I began to draw I saw that the ferns and rue anemones growing nearby might make a nice frame for the red Columbines, so I included a few of those as well as some of the moss-covered rocks, to give the impression one was really sitting right there. I had to keep getting up to look closely at the Columbines, in order to properly draw their complex petals and spurs, alternating looking with sitting and drawing. It takes a lot of energy to do this--at one point my sketchbook slipped out of my lap and almost ended up going over the cliff!

 

Field sketch in watercolor, 8"w x 10"h.

 

Once I had the pencil sketch and had started putting some color down, I took my lunch break--it was around one o'clock. While eating my sandwich, I could get a closer look at the flowers of the tall Pawpaw trees growing under the cliff. A light breeze from the river below cooled the otherwise hot afternoon--too hot for April! And too dry--after I was finished and was picking up my gear a couple of clumps of dry moss peeled right off the rocks! I guess the moss will grow back eventually once the drought breaks. Despite the discomfort of my position, it was a rich and useful field trip for me.

 

Pencil sketch of the ledge - Stage 1

I generally wait a while before I decide how I'm going to develop a sketch into a finished painting; it's always good to think about it as much as possible before one commits. Pencil sketches are the best way to practice and test out ideas for a composition. I decided to include the ferns and rue anemones and add a tiny purple cliff brake on one ledge--this fern was actually farther away on another rock ledge. I decided to go with the sketch above.

 

Pen and Ink sketch on tracing paper - Stage 2

The next step was to trace my drawing with an ink pen, and transfer it to the paper for the final project. I decided that colored pencils would be the most appropriate medium for the amount of detail I wanted on this piece, and to try rendering it on a sheet of  Bristol 300 vellum finish. 

Before doing the tracing, it occurred to me that this would be a good chance to include a pollinator, and that a ruby-throated hummingbird would complement these colors well. My first sightings of  hummingbirds in my garden had taken place just a few days before, and all of these were males. I understand that hummingbirds migrate solo, and that the males precede the females by two or three weeks, to allow the vegetation they feed on to recover, as they follow the same migration paths every year

 

Pen and Ink sketch on tracing paper - Stage 3

I cut another piece of tracing paper to attach to the first, and added a hummingbird sipping nectar from a Columbine flower. At this point I noticed that the purple cliff brake was too large in relation to the other plants, so I reduced it a bit by using my copier to scale it down to about 85% of the original drawing.

 

Colored pencil drawing - Stage 4

 

Working on Bristol 300 vellum finish is a bit different from the Fabriano Artistico HP paper that I prefer--the surface is much smoother, and one has to build up the layers of color gradually. It took a while to get the drawing to this stage (above) where I could begin to develop the darker tones. But this was only half of the area to be covered.

 

Colored pencil drawing - Stage 5

 

Unfortunately, I didn't take any other photos of the intermediate stages beyond Stage 5 above. By now all the various plants and their colors were clearly articulated, and it was just a matter of deepening the tones.