Calme's Neck

The Shenandoah River at Calme's Neck

A few Saturdays past I joined the Virginia Native Plant Society's Piedmont Chapter on a walk at Calme's Neck. This site is registered by VNPS as a unique area full of native plants, some quite unusual, and is on private land. One of the VNPS members who lives in this development hosted the group.

After driving up and around some steep curves on a gravel road for several miles, I arrived a little later than the announced 10 AM meting time. Our hike leader, Gary Fleming, a gentleman who has been mapping the flora of Virginia for the past 30 years for the Digital Atlas of the Virginia Flora, was about to conclude his introductory talk. There is probably not a corner of the state that he has not covered at some time or another. There were about 25-30 of us in the group--some of the VNPS chapter members have been visiting this particular site for the past 21 years.

Gary Fleming with VNPS hikers

We started our hike near the top of a hill and walked towards some rocky high bluffs overlooking the Shenandoah river. The just-budding trees were bare enough to allow spectacular views of the farms on the other bank and the distant mountains on the other side of the valley.

The rock ledges sheltered a variety of mosses, early Saxifrage (Saxifraga virginiensis), and ferns, among them walking fern, which I've only seen once before in Maryland.

Flower Buds of Early Saxifrage

Rock ledge with mosses, walking fern (on upper left ledge) and saxifrage

Rare rose moss (Rhodobryum rosea)

Beyond the bluffs, the hill sloped down and the trail parallelled the river. Virginia Bluebells grew thickly along this floodplain, but with spring so late, their flower buds were still pink and rolled up tight. There were also both Dutchman's Breeches and Squirrel Corn plants here and there, and one of the ladies on the hike (they were all so knowledgeable!) explained the differences between these two very similar plants: the "breeches" of the Squirrel Corn are much tighter, resembling the Bleeding Heart, the leaves are bluer, and true to their name, the Squirrel Corn has a small underground tuber that resembles a grain of corn (we didn't dig one up to verify this).

Dutchman's Breeches (Dicentra cucullaria)

Squirrel Corn (Dicentra eximia)

After a while the floodplain narrowed out and we turned inland to walk up a very steep hill that was covered with spring flowers. Twin leaf, a low-growing plant with star-shaped white flowers that I had never noticed before, grew all over the slope. There were also trout lilies, but only one of these in bloom. The more knowledgeable members of the group explained that trout lilies must develop two leaves before they will bloom, and the individual plants found in these woods don't do this very often, although in other regions they do bloom profusely.

Twin Leaf (Jeffersonia diphylla)

At one point on the slope I found something among the carpet of leaves that I though might be a dead bird, but upon closer examination it turned out to be a huge owl pellet, with tiny bones imbedded. It was relatively fresh, indicating a large own had been here recently--a barn owl, or something more picturesque?

Owl pellet

Back at the top of the hill, I eventually saw our parked cars through the tree trunks, so we had hiked around in a big circle. I was among the laggards at the rear, and most of the other folks had already driven down the gravel road to have our brown-bag lunches by the river. Our picnic site was a lovely grassy spot  by the banks of the Shenandoah where the residents of this private enclave had placed a picnic table. It was nice opportunity to get to meet the other members, and quite by coincidence, one of the young ladies in the day's hike turned out to be someone I had been corresponding via Email at the botanist's office in Shenandoah National Park.

Cormorants perch on trees along the Shenandoah River

Our hostess, Blanca, had been born in Argentina, and naturally, we spoke a bit in Spanish.  As we ate our lunch, we were amused by a group of cormorants flying around on the other bank and diving into the river. I didn't know that cormorants strayed this far inland from coastal areas, but was told that they come regularly to the Shenandoah during their molting season.

All the folks I met were very congenial, and I will definitely be joining VNPS for more hikes in the future. It's a great way to get to know the many beautiful natural treasures in this area!

Virginia Bluebells (Mertensia virginica)

The Rare Fringed Blue Gentian

Fringed Blue Gentian (Gentianopsis crinita).

This year the Botanical Artists Society National Capitol Region (BASNCR) Annual Exhibition is focusing on native plants. Looking for a native plant to illustrate, I remembered my field sketch and photos of the endangered Blue Fringed Gentian (Gentianopsis crinita) that I had come across a few years back at Soldier's Delight when I lived in that area (see post excellent-adventure-at-soldiers-delight).

I dug the sketch and photos up and chose one I particularly liked, with the seed pods forming and strong side lighting, for the main part of the composition. On the lower right side I added two flowers showing some of their lovely details. The flowers of gentians open fully only in bright sunlight and begin to close as the sun starts to go down.

Following the Fertilized Orchid

Fertilized flower development (on right).

Continuing my observations of orchid fertilization, this is what the developing ovary of the fertilized phalaenopsis hybrid orchid looks like after a couple of weeks plus a few days. The thickening of the inferior ovary with its ridges is very noticeable now, compared with the unfertilized flower on the left. The fertilized flower is losing its color and the petals are fading. A seed pod should develop eventually (orchids are notoriously slow in this respect).

Here is what the front of the fertilized orchid looks like:

Fertilized Phalaenopsis hybrid after approximately one week.

Fertilized Phalaenopsis hybrid after two weeks plus a few days.

Unfortunately, the hand pollination of the other variety of orchid hybrid did not "take" at all--after about ten days those flowers faded and fell off. I figure the pollen grains must not have made proper contact with the stigma, or they were not quite ripe, so the pollen tube did not develop at all. Two days ago I decided to give it another try--this time I separated the two tiny pollen sacs and attached one to the sticky substance on the stigma. The same reaction observed before, of the tips of the tiny "bonnet" on the column closing is starting to take place. Only time will tell if fertilization has been successful this second time.

Blue Gentian: the Finished Painting

Blue Gentian (Gentiana scabra) watercolor, 13.5" x 14.5"

Here at last is the finished painting of the Blue Gentian. This is my entry for Brookside Garden's Botanica 2014 exhibition, which will be on view from June 28-Aug. 8, 2014.

Botanical Observations

Fertilized orchid flower.

In the attempt to better understand the botany of orchids, I decided to hand-pollinate a couple of the orchids I have blooming around the house and observe what happens. I took one of my small painting brushes and detached the two tiny pollen sacs (pollinia) from the anther of one flower and deposited these on the stigma of another (the pollen sacs in the flower above were left intact). The pollen sacs seemed to have a sticky substance that gladly stuck to the stigma. I did this proceedure on two of the flowers of this unnamed species (the mystery hybrid purchased at a Florida roadside stand).

Compare fertilized orchid flower (on left) with unfertilized flower (on right).

About four days later I looked and there were some noticeable differences between the flowers that had been fertilized and the others: the column had subtly changed color and appeared slightly swollen. The next morning I took these photos in bright light to look more closely--voila!

Comparing the fertilized flower on the left with the unfertilized on on the right, the most remarkable change was that the tiny appendages on either side of the column that forms a little bonnet over the anther had moved down to clasp each other and enclose the column. The fake "bee" formation on the labellum that lures and guides the pollinator had withered and lost all coloration, signalling to the prospective bee that the flower was now closed for business.

In fact, the color of the entire labellum had changed to a dark red and the petals and sepals were starting to become papery and thin, another indication the flower would wane soon. I wish I had a microscope-type camera that would allow me to photograph even more closely, perhaps look at a dissected flower to see what is going on inside, but that is beyond my budget at the moment.

Pencil sketch of the two orchid  flowers.

For now, I will content myself observing how the seed pod develops (hopefully one will develop) and recording the process in sketches. And perhaps I'll pollinate some of my other orchids later on, to observe how different species behave. It's so fascinating--no wonder there are so many natural and man-made orchid hybrids!

Blue Gentian: from Sketch to Painting

Blue Gentian - pencil sketch.

In the last couple of weeks I've been working on turning my completed sketch of the Blue Gentian (Gentiana scabra) into a full-color watercolor painting. The first part of the process was to trace the outlines of the pencil sketch with ink onto tracing paper, then transfer the line work onto watercolor paper. This is usually done on a light table, but since I don't have one, putting my paper against the window of my studio allows me to get the same effect. I learned this nifty trick from one of my teachers at Brookside Gardens' School of Botanical Art and Illustration.

Tracing the drawing on to the paper.

When I'm doing the tracing, I don't actually tape the paper to the window. The tracing is taped to the back of the paper and I move the paper all around to get the best angle for drawing the lines. And, if you look at the watermark, my Fabriano paper here is reversed (I set up the photo for demo purposes only). In practice, I am careful about which side of the paper I'm going to paint on--the reverse side is usually a bit rougher and won't take the water and pigment as well as the surface that is intended for painting.

In the Process.

This is my painting in progress. Because I had worked out the lights and shadows in my study and have a pretty good idea of what I plan to do, I've been working on small portions of the painting at a time, while the area is still damp. Generally, one is better advised to lay washes on the painting throughout before going on to the details, but in this type of  really precise botanical painting, I am experimenting with working in tightly controlled areas. Eventually I may find one method is more useful than the other, who knows?

Snowy Day

Herb shoveling our driveway.

Measuring the accumulation.

The recent snowstorm was reason to celebrate the day staying at home. We got about 16" to17" of the powdery stuff in Front Royal. Thankfully, this week the temperatures have risen and the snow has almost all melted. Yesterday I saw a few tiny green shoots poking up where I planted the species crocus last fall. Can spring be far behind?

Blue Gentian Sketch

Blue Gentian (Gentiana scabra)

I bought a plant of Blue Gentian (Gentiana scabra) at last year's Arborfest held at the Virginia State Arboretum. It blooms in October, when few other plants are in bloom, but it was the stunning color that convinced me to splurge on it. One lady from the master gardener program there advised me to keep it in its pot rather than risk losing it by planting it in my rocky inhospitable soil.

I took her advice, and re-potted the gentian into a larger pot which I then buried to the rim by the front steps. All summer long I kept it well-watered and this fall it rewarded me with this lovely display. The photo was taken around the second week of October. Many of the flowers set seeds, and I allowed them to drop naturally to see if they will sprout next spring. I'm curious to see if the seedlings will manage to survive on their own with just a little help, or if I will have to collect new seeds this coming fall in order to propagate the plant.

It's such a beautiful flower, I'm in the process of creating a botanical painting from my photos, for this year's entry to Brookside Garden's Botanica exhibition. I need to hurry, as the deadline is coming up very soon. Here is a pencil sketch of my study of one sprig.

Gentiana scabra pencil sketch.