 |
| Sweet Pinesap (Monotropsis odorata), watercolor, 14"h x 10.5"w. |
After the adventure of finding this rare plant in its habitat, creating a painting in the studio to convey its charm and beauty was equally challenging. It took a couple of months for me to to find the time to even start. I began by studying my photos, deciding which ones to use, how to stage the plant, and at what scale to paint it. The plant is so tiny it would need to be shown at three to four times its actual size in order to reveal the details.
 |
| Stage 1: pencil sketch |
I chose the photo I had used for the opening image of the series, which shows a side view of one flowering stem on the left and another from the front with the colors appearing unusually vivid.
The sketch looked somewhat unbalanced and obviously needed another element on the right to complete the composition. I found another photo showing a stem with one single flower and added it on the right to complete the composition as a triangle. I pondered on the best way to tie the three flowering stalks together, and decided painting the leaf litter on the forest floor was ideal, as it would unify the disparate elements and show how well the plant was camouflaged. The dried pine needles offer clues about this plant's association with white pines and hardwood forests.
 |
| Stage 2: ink line drawing over the shade and shadow study. |
After the shade and shadow pencil study, I was ready to trace the line work in ink and transfer the drawing onto watercolor paper (Fabriano Artistico extra white). Now I could finally begin the painting.
 |
| Early stage of the painting. |
As usual, I get so involved in the doing that I forget to take photos of the process as I go along, but here's one intermediate shot I remembered to take. The finished painting is above.
