Still Life with Red Onions, oils on canvas board, 9" x 12"It was dreary as I headed to Lee's studio for our afternoon session of painting: one of our typical rainy winter days. Lee had set up two still lives for us. The ginger jar and the red onions in this one appealed to me, but I knew the colors were going to be tough to bring off.
We didn't want to use the overhead fluorescent lights, as these tend to distort the colors too much, but it was so dark in the studio I really had no idea what colors I was mixing. We opened the shutters and I kept walking over to the window with my palette to mix colors. That was marginally better. Seeing my struggles, Lee offered me a tiny light with two LED's that I could clip on to the palette, which helped quite a bit. I still couldn't see my painting very well, but the colors on my palette were more visible.
I may look for a light like this to add to my kit--it could prove useful in the future. Last summer when I tried night painting, the miner's lamp with LED's proved to be too bright for the job. This might work better.
I don't know that my colors are terribly accurate, but I think at least my values are close to true. The blue bottle was the most challenging. I am developing a greater appreciation for still life painting now that I understand how challenging it can be.
