Showing posts with label clematis 'Etoile Violette'. transparent pigments. Show all posts
Showing posts with label clematis 'Etoile Violette'. transparent pigments. Show all posts

Friday, July 24, 2020

Dawn and Dusk Watercolor


Dawn and Dusk, watercolor, 17"h x 13"w.

My latest watercolor is a luscious combination of the climbing rose 'New Dawn' and clematis 'Etoile de Violette' that grows on the side of my porch. I started working on this two years ago, developing the drawing from a set of photos I'd taken that spring--my drawing is a bit on the sloppy side with many unresolved areas, but I thought it was enough to get started, and worry about developing it more fully as I got into the painting.


Pen and ink drawing for tracing.


The idea was to try to convey the lushness of the two intertwining plants in a composition that spilled in a rambunctious fashion over the entire sheet of watercolor. I started applying some under painting to the central clematis flower when I realized that the Permanent Rose and Cobalt Blue pigment combination I was using was too opaque for the desired effect.

Dawn and Dusk - early stages.

I put the painting aside for two years, searching for more transparent pigments. A number of workshops I took in the intervening years helped me to develop other techniques and find the transparent pigments I was looking for: Quinacridone Coral and Brilliant Blue-violet. I scrubbed as much of the early pigments as possible and started again, this time with happier results.

Dawn and Dusk - later stage.

The illusion of perspective is created mostly by the change in size of the flowers and leaves, as well as light and dark areas. A bit of redesign was necessary to hide a couple of paint spills that happened along the way--I don't always cover my painting to protect the white areas because this makes it difficult to see the entire painting at one time. That's a risk I'm willing to take.

At this point I'm trying to decide if it's finished, or if it needs a few more leaves and/or buds or a little more drybrush in places to bring out the edges of the pale roses. I'll let it sit on my easel for a few more weeks now and think about it before I decide. There's no hurry, as there are no art shows in my schedule anytime in the future.