Drove to the Bog, But the Bog Was Dry

Splinter Hill Bog in Alabama.

 

In October I attended the annual American Society of Botanical Artists (ASBA) Conference, which this year was held in Mobile, AL. One of the activities that interested me the most was a day of botanical sketching at the famous Splinter Hill Bog, about an hour north of the city. We were informed that this area, which normally has the highest amount of rainfall in the nation, had been in drought conditions all summer, with no measurable rainfall in months. The bog was as dry as it could be!

The Nature Conservancy, which owns this preserve, does prescribed burns periodically in order to maintain the condition of this Long-leaf pine savannah, and had done one in early March. The Long-leaf pine bark is resistant to fire, and the pitcher plants have underground rhizomes that allow them survive these burns, but they die to the ground and need rain to sprout back, and that hadn't happened much this year.

Before going out to find the plants we were to sketch, Judy Stout, a volunteer with the Mobile Botanic Garden, spoke to us about the specific plant communities found in this unique bog, and passed around some drawings to explain how the pitcher plants trap their insect food. She then demonstrated by splitting one of the pitcher plant leaves to show us the insects inside in different stages of being digested.

Insects inside a pitcher plant leaf.

Walking into the bog.

 

 We walked around for a bit looking at the White-topped pitcher plants (Sarracenia leucophylla) for which this site is most famous; unfortunately many of them were brown and dry. We saw another type of pitcher plant--a decumbent variety, Sarracenia rosea, as well as a clubmoss with fruiting stems on their ends. There were no sundews (Drosera genus) anywhere to be seen, it had been too dry for these plants to regenerate.

 

White-topped pitcher plants (Sarracenia leucophylla)

Decumbent pitcher plant (Sarracenia rosea)

Clubmoss with lighter fruiting stems on top (Lycopodium alopecuroides)

 

There were many other wildflowers typical of the fall season blooming that I could identify by genus, but getting the right species is another matter: purple Gerardia (Agalinis purpurea), swamp sunflowers (Helianthus angustifolia), wild ageratum (Conoclinium coelestinum), four-sided milkwort (Polygala cruciata), a tiny Lobelia (Lobelia ? ), a very narrow-leaved goldenrod and a yellow flower with pinked petals (tickseed?). 

Purple gerardia (Agalinis purpurea)

Swamp sunflowers and Pineland bogbuttons (Lauchnocaulon anceps)

Wild ageratum (Conoclinium coelestinum)

One curious flower called Pineland bogbuttons (Lachnocaulon anceps) was completely new to me, and I couldn't begin to identify any of the grasses that carpeted the long-leaf pine savannah, I'll leave that to experts.

Lobelia syphillitica?

Four-sided milkwort (Polygala cruciata) and my sketch side by side.

Very narrow-leaved Goldenrod

Tickseed (Coreopsis linifolia?)

Bracken fern with no ID flower stalks

There was so much to see and explore it was hard to settle down to sketching, but I finally did, and chose to sketch some of the abundant White-topped pitcher plants. I found one dry pitcher plant flower in the morning. 

 

White-topped pitcher plant sketches.

 

After our lunch break, we switched instructors to continue, and Lara Call Gastinger, pointed me toward one lone pitcher plant flower that still had some of its vivid colors, although the petals had fallen. I wanted to include this in my pitcher plant sketches, since the flower has such peculiar structures.

 

Dried pitcher plant flower.

White-topped pitchers

Colorful Pitcher plant flower

My sketch of the pitcher plant flower

 

A little before three in the afternoon, we were rounded up to share our day's work and get ready to go back in the bus that had brought us here from Mobile. It was fascinating to see what everyone else had done--I wish I could have photographed every one of the sketchbooks, but here's a sampling of some.

Sketches from the class

More class sketches

Lara Call Gastinger's sketchbook

Another sketchbook with purple gerardia and pineland bogbutton flowers.

All day I'd worn my Wellington boots, thinking they'd keep my feet dry--and the bog was so dry I didn't need them at all!

On the drive back home from Mobile a few days later, I stopped by the bog again, to allow my friend and travel companion Ann to see it. This time, since we weren't sketching, I had a chance to walk further into the preserve, and found another type of pitcher plant I hadn't seen a few days before -- the Parrot pitcher plant (Sarracenia psittacina), which I identified thanks to my visit to the Mobile Botanic Gardens and their miniature bog, which had been watered regularly. They had some lovely sundews in there too.

The distinct species of pitcher plants at the Splinter Hill Bog have hybridized over time and one can see so many variations in color and hybrids sporting the characteristics of two or more species... what a fabulous natural laboratory! Oddly enough, no one has done a comprehensive botanical survey of all of the plants found at this location; I hope eventually some enterprising young botanists will do just that.

 

Parrot pitcher plant (Sarracenia psittacina)

I'd love to return to this beautiful bog some day, and see it in its full glory.

Easter Monday Snow and My Sketches

Kwanzan cherry tree blossoms.

 

It snowed earlier in the week on Easter Monday, just as my Kwanzan cherry tree in front was starting to unfurl its lovely blossoms. Rain had been predicted, but snow--I was surprised, to say the least! Many trees were just starting to bloom: the Carolina Silverbell tree, the redbud, the flowering quince, the dogwoods, all those delicate  and precious flowers...fortunately the temperature was hovering just above the freezing point, so I hope the blossoms haven't been too damaged. I'll have to check on them later on today. Another frost is coming tonight, so there's even more chance of frost burn.

 

The back yard on Easter Monday.

Easter Monday snow on the front yard.

I like to take photos of my Kwanzan cherry tree in bloom, which usually happens around mid-April. On some years that coincides with Easter time. This year's shot is all the more memorable because of the snow!

Sometime last week my yellow Magnolia 'Butterflies' managed to produce a few of the blossoms that had lagged behind enough to escape the frost burn that blighted the rest. It was disappointing to lose so many flowers, the tree had been covered with buds--so sad!

 

Yellow Magnolia 'Butterflies'

My neighbor's weeping apricot tree was such a vision of loveliness last week that I asked permission to cut a branch for the sketch below. I used colored pencils, but didn't get an exact color match--the blossoms really are a little more coral and strong in color. But the delicate frills and details of the flowers would not have "read" if I hadn't used a light touch.

Weeping apricot tree blossoms, colored pencil sketch.

Mahogany tree seed pod (Swietenia mahagoni)

Above is a seed pod of the mahogany tree which a friend form Florida sent me--she sent a box full of fascinating seed pods and botanical oddities collected at the Montgomery Botanical Research Center in Miami that I'm trying to identify. The amazing geometry of the mahogany seed pod was very challenging--I re-worked my drawing completely several times in order to draw it accurately, and realize that I still didn't get some details of the curvatures correctly. The actual seeds are arranged inside the capsule in such a way that each winged seed fits in like a jigsaw puzzle inside each section.

 

Lewisia 'Littel Peach'

The Lewisia 'Little Peach' that I bought last year is covered with buds that have started to open/ The small flowers are a lovely soft yellow fading into peach. I couldn't resist making sketch of it for my botanical journal.

 

Lewisia sketch in my journal.

Recent pages from my botanical journal.

Blue Holly, Red Holly

Blue Holly

Red Holly

The approach of winter signals the end of the outdoor painting season (at least for those of us who don't like to freeze our patooties). Other years I've made the effort to get out to paint despite the weather,  but after a particularly hard year, I'm not feeling motivated to endure the additional  hardships of cold-weather plein air this year. I'm hard-pressed to find something new for the blog, and populating it with work from my botanical illustration classes seemed fitting, especially because holly is so symbolic of this season.

These are works from yesterday's class. We were tasked with painting a value study of a sprig with fruit or flowers (previously sketched in pencil) using only one pigment, either Permanent Rose or Windsor Blue.  The idea was to use the darkest value for the leaves, the middle range for the berries with the stem being the lightest value. We were to practice various lifting techniques as well as flat and graduated washes.

I tried one sketch with each pigment, and found the Permanent Rose to be much harder to work with. The color was so bright that after a time my eyes were totally strained, and it was harder to get a really deep value even using several layers of washes.

This is a particular variety of holly planted at McCrillis Gardens that I like--the leaves have a variety of unusual shapes, some more rounded, others with three points, and pendulous branches.