From Black and White to Living Color

College Creek on a Cloudy Day, B & W study, oils on canvasboard, 8" x 10"

College Creek on a Cloudy Day, color study, oils on gessobord, 8" x 10"

For this week's class (same location as last week) we painted a black and white value study before we started our painting in color. It was a cloudy day, and at times a light drizzle fell, but we were lucky and didn't have to run for cover.

We followed the same proceedure as last week for our B&W study, analyzing the relationship of our three main values. With very different light, the sky and water values were markedly darker than last week, as well as the trees, with much less difference or contrast between the three values.

The fun starts as we go from B&W to full color. On a cloudy day the colors become very muted; though the sky may look gray there are shades of soft yellow and even orange coming through the clouds. Shadows are so soft it's hard to see them. Lee reminded us about Monet's saying that he wasn't painting fields and trees, but the veils of atmosphere between him and the fields and trees. That is the essence of impressionism.

I was very happy to hear my teacher comment he thought my painting was looking Monet-like. At this stage my painting is not fully developed yet, giving an impression of a much foggier day, but we were out of time. With a few more variations of color and detail it could look more realistic, but I have the color key down, which is the essence of the scene. Another breakthrough for me: I'm gaining a better sense of brushstroke texture and the rhythm this can give to a painting.

The Scent of Roses at Giverny

Roses at Giverny, watercolor, 10" x 14" - $125

May is the month of flowers, when nature is profligate with her gifts, and there is nothing like the scent of roses in the air... except perhaps the delicate perfume of irises. Why has no one created an iris-scented perfume?

My climbing rose, an old-fashioned pink cabbage-type twining around the deck railing, is about to burst into bloom. This spring has been so rainy, my irises have flopped over, but the neighborhood azaleas and rhododendrons are loving the extra water.

Longing for sunny days, I remembered this small watercolor painted during a visit to Giverny, Monet's home in the French countryside. Two friends and I visited on a Monday, when Giverny is closed to tourists but artists are allowed in to paint, if you don't mind an army of gardeners bustling all around you. Monet was a great artist through and through: his house and garden as much a work of art as his paintings.

The big pink house with its green shutters was trellised with thousands of roses of many colors sparkling in the sun. My friend Marguerite (with hat) appears in the foreground, painting from a nearby bench. It was a day to treasure, as I hope someone will treasure my little painting. Send me an E-mail at elemaza@verizon.net if you are interested in buying it. I can accept PayPal, or a check if I know you or you are recommended by a friend.