The truth can now be told--I really am not one of the Gorilla Girls! I'm reluctant to designate myself as a "guerrilla" because to me that term has such an awful connotation, and I mean that in the original sense of the word of "filling one with awe." But I happen to have collected quite a bit of Guerrilla Painter equipment and accessories for my next plein air workshop coming up tomorrow, and I'm looking forward to having more compact, portable gear. Less time to set up, more time to paint.
I often think about why the figure of the unwashed, violent guerrilla has been so romanticized here in America... starting with Herbert Matthews as Fidel Castro's first groupie on through to Che Guevara's murderous, beretted mug for sale on T-shirts, Americans have just loved the image of these idiots, if not the men themselves. I can understand a certain appeal for the young, their rebellious adolescence finds in these men the ultimate anti-authority figure, while forgetting that they end up becoming worse dictators that the ones they replaced. The older unrepentant leftists should know better, but they will never admit it.
In any case, I'd never want to self-identify as a guerrilla, it's better to be a gorilla painter. What next? Whale painter? Tomorrow I'm off to Tilghman Island.
Showing posts with label Guerrilla paint box. Show all posts
Showing posts with label Guerrilla paint box. Show all posts
Thursday, July 17, 2008
Sunday, May 25, 2008
A Beautiful Day in the Neighborhood
The Clark Farm, oils on archival canvas panel, 9" x 12," $100.
Let's get back to painting. Someone pointed out recently it's funny how I'll travel halfway around the world to paint, but I never paint my own neighborhood. To remedy this, yesterday being a gorgeous day here in Maryland, Susan, a younger artist I'm mentoring, and I went out to paint plein air in my Howard County neighborhood. I'm breaking in a new outdoor painting rig--a Guerrilla paint box and tripod just purchased, that way Susan could use my old Julian easel.
In the morning we painted at Centennial Park by the lake. Susan did a wonderful small painting there but I wasn't happy with mine. In the afternoon, we went across the road to a dead-end street where the Clark Farm spreads out over many acres. This is my favorite place to walk for exercise and inspiration. I love the rolling hills scattered with farm buildings, particularly this barn and silo--they make such a nice focal point for the composition. The fleecy clouds made for a lovely sky.
Next weekend, I'm painting plein air in Annapolis, as part of the Secret Garden Tour. If you are in the vicinity, please come & take the tour so you can visit with me, or stop by Gallery 1683. More details about it in the next post.
Let's get back to painting. Someone pointed out recently it's funny how I'll travel halfway around the world to paint, but I never paint my own neighborhood. To remedy this, yesterday being a gorgeous day here in Maryland, Susan, a younger artist I'm mentoring, and I went out to paint plein air in my Howard County neighborhood. I'm breaking in a new outdoor painting rig--a Guerrilla paint box and tripod just purchased, that way Susan could use my old Julian easel.
In the morning we painted at Centennial Park by the lake. Susan did a wonderful small painting there but I wasn't happy with mine. In the afternoon, we went across the road to a dead-end street where the Clark Farm spreads out over many acres. This is my favorite place to walk for exercise and inspiration. I love the rolling hills scattered with farm buildings, particularly this barn and silo--they make such a nice focal point for the composition. The fleecy clouds made for a lovely sky.
Next weekend, I'm painting plein air in Annapolis, as part of the Secret Garden Tour. If you are in the vicinity, please come & take the tour so you can visit with me, or stop by Gallery 1683. More details about it in the next post.
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