Painting in Baltimore

Looney's Pub in Canton, oils on canvas board, 11" x 14" $200 unframed.

Last Sunday I joined other MAPAPA members for a paint-out in Canton, a neighborhood on the waterfront in Baltimore that I was not familiar with (I hardly ever go into the city). We were to meet at a coffeehouse on O'Donnell Square, and being early Sunday morning there was plenty of parking along the streets. I went into the Daily Grind and was told the group had already gone off to paint. Back outside, I was immediately attracted to the bright colors of these old rowhouses facing the square, but walked around with my camera exploring for a bit before coming back to my first choice for painting. I found a nice bench in a shady spot on the square and set up right there.

Right as I was finishing the painting, two ladies came up to me--they were MAPAPA members--and we chatted for a bit. Turns out one of them, who is the president of the group, had been painting on the other sidewalk opposite from me the whole time, but with the cars and objects in between, I had not seen her at all. We talked about next weekend's event in Annapolis and I learned about other activities the organization is planning, such as workshops. This outing seemed to be much looser than the previous one at Great Falls where we'd met after painting and critiqued the work, so after a brief visit with the ladies, I headed home for lunch and other afternoon home labors.

After the Storm

Tropical storm Hanna came into our area this morning. From the media build-up you'd think we were about to be hit with a category 5 hurricane. They were actually advising people to lay in stores of flashlights and extra water! Hanna turned out to be a well-mannered lady and brought only rain and gusts for about six hours between eleven AM to five PM. In the evening, a golden glow in the sky outside my window beckoned and there, after the storm, was a brilliant rainbow.

At Great Falls Park

Great Falls Park, oils on canvasboard, 11" x 14"
This painting is now framed, and selling for $450 at Gallery 1683 in Annapolis.

Last Saturday I got up early to to paint at Great Falls at my first MAPAPA event. It was another delightfully cool August morning with beautiful weather. The park was deserted when I got there; I lugged my gear from the parking lot to the other side of the Tavern. Despite the great conditions, the force was not with me. After picking my spot and starting to set up, I realized I'd lost a crucial piece of my Guerilla paintbox along the way--the knob that holds the lid which is the painting holder. Going back to find it (I was lucky to recover all the pieces) cost me the first hour. Then the focal point of my composition (the C and O barge on the canal) got moved after my painting was too far along to change, so I gave up on that one. I finally started this painting around eleven-thirty, with a bare hour and a half to try to finish before critique time. Needless to say, I wasn't able to finish it, but it was a nice start. I finished it later in the studio from my photos.

Contact me at elemaza@verizon.net if you are interested in buying it. The price will go up after it's framed.

Brookside Gardens

Summer at Brookside Gardens, oils on archival canvasboard, 11" x 14"
This painting is now framed and selling for $450 at Gallery 1683 in Annapolis.

About twenty-five years ago Herb and I lived a block away from this beautiful botanical garden in Silver Spring and we used to go for walks there frequently. In fact, I was just starting to paint plein air watercolors in those days and worked outdoors in all seasons and weather conditions: lovely spring days as well as blustery fall days when my hands ached from the cold, nose freely dripping on my artwork (mixed media?). It was good training for an aspiring painter. Later on I had my very first solo show in the small lobby of their greenhouse and sold one piece.

Since those days Brookside has built a new Visitor's Center, completely fenced in and redesigned the gardens so that there no longer are any wild areas. Last week I was meeting an old friend who lives nearby. We agreed to meet at Brookside so I decided to come early to paint for old times' sake. This view of one pond was about the only place I could find that remained recognizable. I stood under a gazebo on what once was a tiny island where Canada geese used to nest.

Cartoon of Nancy Pelosi

You may not agree with the politics, but I had great fun doing this cartoon to illustrate my article "Masters of Green" written jointly with my husband Herb Borkland. We did the article for Cubanology Bi-Weekly Issue #10, a free forum for political discourse and opinion published on line by my friend Jose Reyes. You are invited to read the article and comment.

The original of the cartoon is for sale, if anyone would care to make an offer, I'll consider it. It's watercolor with pen and ink, 12" x 9" on archival sketch paper.

Painting the Lotus at Mattawoman Creek

Wild Lotus, watercolor, 10" x 5", $100.

After lunch at Mattawoman Creek park, Linda and I put the kayak in the water, loaded our gear and started paddling upstream. In this tidal area the waters are so calm it was difficult to detect much of a current but according to a fisherman we passed, the tide was going out . We paddled lazily past marshy banks of pickerelweed and spatterdock with some grassy plants that might be wild rice. We went round a bend and behold--here were expanses of the creamy yellow blossoms of the native American lotus at the height of their glory!

We continued upstream to a tiny island where Linda had gone swimming other times, but the water weeds were so thick near the shore it wasn't very appealing, so we gave up on swimming and explored on foot instead. We found several spikes of bright red cardinal flowers, pink butterfly weed and hog-peanut vines in flower. A bald eagle soared overhead, its white head majestic in the sunlight. A couple of fishing boats trolled past. With the sun at a lower angle now, it was just the right time to paddle back to paint the lotus.

We pulled into the lotus stand and parked the kayak near one blossom starting to open among several emerging leaves, their curious folds forming half moons sticking out of the water. I looked behind me and was amused to see Linda floating her small watercolor set on top of a lotus leaf (I'm used to holding mine in my left hand like a palette because it has a thumb-hole). I snapped a shot with her camera.

A splash behind us proved to be an osprey diving for fish. The osprey missed its prey and circled around for several passes but eventually gave up and flew away. We finished our sketches around six and paddled back in the evening light at the end of a marvelous day. I felt exhausted but my spirit overflowed with joy at the sight of so many lovely lotus flowers. It had been a perfect lotus day!

A Perfect Lotus Day

Lotus at Kenilworth Aquatic Gardens, oils on canvasboard, 14" x 11," $200

Yesterday I left the house early to get down to Kenilworth Aquatic Gardens in time to take advantage of the morning light. The day was delightfully cool and clear, a rarity for August in DC, when the phrase "dog days" seems to have been coined with our area in mind. By a quarter to nine there were quite a few photographers and a couple of painters there already. I walked around the nearest ponds overflowing with Asian lotus and set up my easel in a shady spot under a Bald Cypress, where I had one perfect flower in sight for a focal point.

The painting went quickly and was finished around eleven. I left my gear in place and walked around the other ponds to take photos of some of the other blossoms, but the light overhead was not great, so I stopped to chat with another painter I'd seen earlier. I'd noticed she had the exact same type of Guerrilla Painter box as mine, and it turned out she was a member of the Mid-Atlantic Plein Air Painters Association (MAPAPA, which I joined just last week) so we shared information about the Annapolis Plein Air event coming up in September. We were both interested in the Dueling Brushes competition, for which our morning session is great practice, and the street sale afterwards, similar to the Easton Quick Draw event.

After taking more photos I packed up, trundled to my car and drove on towards Southern Maryland, where my friend Linda lives. She had told me earlier that she'd found a large stand of the native American Lotus at Mattawoman Creek, an extensive Potomac River watershed some miles from her home. The American lotus is slightly smaller than the Asian, and the flowers are creamy light yellow.We'd agreed to take a two-person kayak she owns so we could sketch them up close, and this was the perfect day for it.

It was a bit work to get the kayak secured to the top of my car, and Linda was kind enough to lend me some extra gear: water shoes and a pair of shorts (I'd worn pants for painting, forgotten I'd need to wade) plus lots of drinking water and sunscreen. We stopped off at Safeway to pick up some sandwiches along the way and reached Mattawoman around two. I was starving by then, so we ate lunch before setting out in the kayak.

To be continued: Painting at Mattawoman Creek.

A Little Night Painting

Moonlight on Black Walnut Point, oils on canvas board, 12" x 16"

This was my night painting from Walt Bartman's workshop. There is something mysterious--perhaps eerie--about this historic colonial house surrounded by ancient walnut trees on the last point of land of Tilghman Island. In the light of the full moon, with the stiff breeze stirring the leaves, it seemed magical. I liked the way the soft glow of lights from the house was reflected in the swimming pool and echoed by the moonlight on the bay.

It's now framed and is priced at $450. If you are interested in buying, please contact me at elemaza@verizon.net.