More Ladyslippers

Yellow Ladyslipper, watercolor 22" x 13"

This is the second version of my piece for the Botanical Intensive class I missed last spring that I needed to get credit for. It's good practice for me to do this now to better develop the final painting I intend to submit for the BAEE project (Botanical Artists for Education and the Environment) next year.

This orchid is really challenging to depict, and such a complicated subject I probably shouldn't have chosen it for my project but it's so beautiful and fascinating, I can't resist. There are many faults in it, which I'm working to correct, to clear up confusing visual information. Below is the first version I did, which was with the wrong palette. The difference between the two palettes is subtle, but the colors in the earlier version look rather Disneyish in comparison with the more natural colors of the other.

The Virginia State Arboretum

The Blandy Farm in November, oils on panel, 9" x 12."

Yesterday afternoon I finally got out to paint in oils, something I haven't had a chance to do since last spring. I drove out to the Virginia State Arboretum, part of the Blandy Experimental Farm, which I pass every morning and evening on my way to work. The Blandy Farm is a 700-acre facility deeded to the University of Virginia by Mr. Graham Blandy, a wealthy New Yorker.

The Arboretum is a lovely place with many wonderful huge specimens of native and exotic conifers, boxwoods and other unusual plants. The previous weekend I'd taken Herb there to show him the place and we walked around to explore the various gardens and plantings.

It was difficult to choose a view--I wanted to show the Blue Ridge Mountains in the background, but didn't have much time to look around so I chose this view from the main house looking through some dramatic evergreens down to the fields. Though most of the foliage is now gone, the grasses on rolling hills showed some lovely colors in the afternoon sun, with the lengthening shadows for interest.

My skills have become rather rusty during these months of moving, and I'm afraid I didn't do justice to the landscape or the afternoon light. It didn't help to have a large group of very loud teenagers (college students I presume) who were having some sort of program nearby, and were making so much noise as to make it impossible to concentrate or enjoy the place (were we ever this loud at that age or have young people become ruder?).

My painting turned out rather ordinary, yet it felt so good to be out painting again! As the shadows lengthened it became chillier, and my hands were starting to get numb; it seemed like a good time to stop as the light was fading. I hope to do better on my next session as I get back into practice.

Refining Graphite Studies

Dendrobium light & shade study

In our Drawing 309 class we have been working on refining our graphite techniques: using the botanical piece we did in our previous class we are now developing a finished piece in graphite. The process involves using tracing paper overlays in layers to develop first, a light and shade study (above). The second layer is a value study superimposed on the light and shade (below). A third layer, which I am just starting, will deal with details of the flowers.

Dendrobium, value study superimposed over light and shade

In addition to the main project, we did a couple of other exercises: a sketch of some button mushrooms, and shading a bunch of grapes to clarify what is in front and what is in back. It's interesting to apply the same principles of articulating different planes that I've used in landscape painting to a drawing where the focus is so much smaller, and the planes may be only a few inches in distance, rather than miles. The same principles apply to both.

Calm During the Storm

The Trees Before the Storm, pastel, 9" x 12."

I took some photos of my new back yard Saturday before last--there is a hollow back there where the ground drops off steeply and a rivulet of runoff has allowed this copse of tall oaks and other trees to grow lush. The trees were at the peak of their color in the early morning sun.

This past Monday morning my boss sent the word out--we should all leave at noon to get home safely before Hurricane Sandy hit our area, expected to be around 8 PM that night. As I was driving west on Route 50 the rains were coming down steadily and the gusts of wind getting stronger. I prayed that no trees or big branches would fall as I was passing underneath--there are so many old  and fragile trees along the way--or that flooding would not have closed down some of the low-lying bridges.

Oddly, it was raining less when I got to Front Royal; I guess being farther away from the coast lessened somewhat the effects of the storm. But as the afternoon progressed, the skies darkened and the wind began to howl. I knew by morning there would be few leaves left on the trees, so I was glad I'd had  chance to photograph the lovely color while it lasted.

What better way to spend a stormy evening than in the studio? My new studio has a big window overlooking the back yard. It was too dark to see much out there as I worked from my photos, snug and warm while the wind howled. It seemed wondrous to find myself in this new safe harbor after the upheaval of moving this past summer. After I had most of my painting done I went downstairs and Herb lit the gas fireplace for that extra cozy feeling.

In the morning I went in to look at my little painting and saw out the window (no surprise!) that the leaves were down and one can now see the outbuildings of the farm on the other side of the steep ravine. My newly-planted trees all came through the storm just fine, and the saffron is starting to sprout.

Herb carved our traditional jack o' lantern to display for Halloween, but disappointingly, not a single trick-or-treater came to our door. There are only a few children in our new neighborhood, so I suppose it's not done around here.

A Rose for My Garden

Just-planted red 'Double Knockout' rose

I still miss my old garden in Columbia with its mature trees, the huge blue hydrangeas at the base of the deck, and the topiary evergreens in front...but if there is one plant I miss the most, it's the red 'Knockout' rose my sister gave me a few years ago. The plant had reached optimum proportions and was covered with lovely blossoms all season long. At the height of bloom one or two sprigs could fill a vase. Herb and I really enjoyed having a fresh rose to display in a bud vase for half of the year, so I just had to have a rose for my new garden.

We stopped by Springtime Garden Center yesterday after our regular stop at the farmer's market and I bought my rose, a red 'Double Knockout'. A thunderstorm had been predicted for the afternoon, but the dark clouds raced overhead, and it turned out to be a beautiful fall afternoon, breezy yet warm--perfect for gardening.

It took about two hours of backbreaking labor with the pick to prepare the soil--I dug up two bucket-fulls of rocks, some so large they could have been used for stacked fencing. I mixed in commercial topsoil with the clayey dirt and bits of old mulch until I finally had that proverbial $20 hole for my $5 plant. It felt so good to finally get the rose into the ground!

All this back-breaking work will hopefully pay off next spring and for years to come--I've been neglecting my artwork in favor of gardening this fall. My mother was a true artist when it came to gardening--her garden was such a lovely piece of work, with bold and unexpected combinations of colors and foliage, a real "garden for all seasons." I'm finding that plants are a much harder medium to work in than any paint I've ever tried.

Birthday Roamings

Yellow Ladyslipper seed pod

Yesterday was my birthday--one of those significant numbers--and after picking up veggies, eggs and other staples at our farmer's market and doing some chores, I decided to treat myself to an afternoon of leisure. I found our local library, got myself a card and checked out the two items allowed first-time users.

After lunch I loaded my paint kit and headed out to tackle the view from a local vineyard up on Freezeland Road. Before doing that, since it was so close, I wanted to check on the Yellow Ladyslipper orchids and see if any seed pods had formed, so I took a short walk on the Trillium Trail at Thompson Wildlife.

I was rewarded with one find--a healthy, plump pod--at one of the well-established stands. I also managed to locate the specific clump I had drawn and photographed last spring, but alas, this one had been growing right by the side of the fire road, and some kind volunteer had mowed the track since I'd been there during summer. The poor orchid had been decapitated-- if one of the flowers had set a seed pod, it was gone now!

This has given me the idea of trying to map out as many of the orchid stands next spring to try to record the Yellow Ladyslipper orchid population to see how they migrate and spread through this site. This may all become part of my Certificate Project for the Botanical Illustration Certificate.

My walk took a bit longer than anticipated, and by the time I arrived at the vineyard, it was around five o'clock--a perfect time for the Golden Hour . I went inside to ask the owner permission to paint, and was informed that it was fine but they closed at six sharp; they wanted everyone out so they could shut their gate. That gave me less than an hour to set up and paint--an impossible proposition--there was no point in even taking my kit out; I would have to come earlier the next time. I took some photos of the views and left.

 * * *

The early sunlight was sparkling on the dew in my new garden this morning so I slipped out front (in pajamas!) to take this photo showing the new dogwood tree we added, and some colorful mums. We still need to replace patches of the red mulch with more suitable brown and add a few more accent plants, but gradually, my new garden is starting to take shape.

Working On The New Garden

New plants in front yard

Last weekend Herb and I undertook replanting this small bed in front of the house (the weekend before we'd transplanted the hollies that were there). Herb started digging with a pick to break up the rocky-clayey shale, then we worked in several of bags of good topsoil from the garden center before planting. The three cherry laurels 'Otto Lukens' under the windows went in first, then the dwarf Nandina to the right by the steps, and lastly the miniature golden cypress and the aster to the left.  We mulched it all and finished up with generous watering. By this time we were covered in dirt and sweat so we went in to shower before dinner.

The central portion along the walk was set aside for the saffron crocus I had ordered from White Flower Farm along with some sedums, a new variety called 'Angelina' with a lovely soft green foliage. The plants arrived mid-week, so yesterday I worked up more soil (and sweat!) planting those, as well as one of the two evergreens I bought last week at Brookside Gardens' annual plant sale. Another aster on the other side of the walk and the lace-leaf Japanese maple in the pot were bought at Springtime Garden Center in Front Royal that morning.

New additions to the garden

Observational Studies

My class set-up

Pencil sketch (gesture & plant habit)

My Botanical Illustration classes have started once again, and this fall's challenge is Observational Studies and Composition 308. We were to bring a plant in bloom for class that would last through this course and the next one (about six weeks). I'd planned to bring an Episcia from my houseplant collection, but the Episcia was not cooperating and there were no blossoms, so in desperation I went out to our local stores to find something suitable.

I found a lovely Dendrobium orchid (species not identified) at Lowe's at an affordable price, and knowing orchid blooms last a long time, this seemed like a good choice. Orchids are a fascinating family of plants--there's so much complexity, altogether too much to learn!

I had not been expecting such a crowd at Brookside Gardens so early on a Saturday morning, but as it turned out yesterday was their annual plant sale fundraiser. I was early for class, so I went out to check the plants before class started and ended up buying a few perennials for my new yard.

Our first step in class was to do some thumbnail sketches to decide on our composition. Once we'd selected an arrangement for the sketch, do a gesture drawing of the plant life-size, to which we'd gradually add detail and shading for a finished sketch of the general plant habit. My Dendrobium was so tall, I had to set it up raised a bit off the floor so the flowers would be at eye level.

Flower and leaf detail with colored pencil

From there we would go on to sketch significant details of the plant such as flowers, leaves, stems, and make notes about shape and color. We had a number of reference books where we could look up plant families and take notes about our plant.

Among the fascinating things I noticed about this particular Dendrobium species was a spur in back, which contains the nectary. The spur is a general characteristic of Dendrobiums which usually have scent. By the afternoon one flower had attracted a tiny bee (which I included in the frontal view of the flower below). Orchids tend to have their sexual organs fused into what is called the column which is opposite to the showy bottom petal, known as the labellum. I also learned that orchid flowers are generally rotated 180 degrees on their stems so they are actually upside down! The botanical term for this is resupinate.

I won't bore you readers with all the stuff I learned about orchids in general and Dendrobiums in particular--I still have not been able to identify this particular species, other than to say that the flower has a Phalaenopsis-type of shape (though Phalaenopsis is a completely different genus the flower form bears a resemblance). In addition to thousands of species, there are millions of orchid hybrids, and Dendrobiums are very popular so the chances of being able to identify this one conclusively are probably slim.

Flower details showing the spur in back

Stem and leaf details

I must pull all this together into a one-page botanical study for next class.