Island, (original sold) digital prints (giclee) available.
An envelope from Gallery 1683 came in the mail yesterday; it was my copy of the gallery's consignment sheet for the two paintings I'd dropped off last Friday. The sale of a small giclee was also listed, and next to it, hand-written, J. Travolta and a smiley face. Could it be for real? John Travolta bought a digital print of my "Island" at the gallery? I called the owner today to verify and here's the story.
Another artist at the gallery also happens to be a yacht broker in Annapolis, and John Travolta was in town to pick up his yacht for a cruise to Maine. He mentioned that he was looking for art for his yacht, so Chris arranged a private appointment for him at Gallery 1683. The owners were out of town, but their daughter and another gallery artist who lives there opened the gallery for him. He bought four original paintings and my little giclee.
So there you have it-- I'm in John Travolta's collection. Island is probably hanging in the head, but whether there or on the poop deck, it's still quite an honor to have my work selected by Travolta, one of three artists from among the many artists at gallery.
My birthday is a little more than a week away, and here I am scheduled to go in for a root canal re-treatment a few days before, so this sale is like a birthday gift from above--just the thing to cheer me up!
Wednesday, September 17, 2008
Friday, September 12, 2008
Fawns in the Morning
Yesterday morning was cloudy; as I was getting up Herb called out "Deer alert!"
Two fawns had wandered into our back yard, browsing on vines while one and then the other seemed to keep a look out. They went as far as the fence at our neighbor's yard, staying close to the woods, then came back. A doe showed up a few minutes later, presumably the mother of the one young enough to still have spots. I grabbed my camera and stepped out on the deck to snap a few shots. The deer weren't fazed at first, but the moment they heard the buzz of the shutter, they grew skittish and then the doe took off with the fawns at her heels.
In the evening, the sun was out and as we were going out on the deck to enjoy the golden hour, I saw a groundhog up in our neighbor's mulberry tree that overhangs their peach tree. I ran for my camera again--I knew without a photo nobody would believe it. I had a hard time believing my own eyes the first time I saw this rascal in the tree earlier this summer--groundhogs can climb trees! This one is young, agile, and fearless--he's about 15-18 feet off the ground on a precarious perch, trying to get at the peaches.
Thursday, September 11, 2008
Painting in Baltimore
Looney's Pub in Canton, oils on canvas board, 11" x 14" $200 unframed.
Last Sunday I joined other MAPAPA members for a paint-out in Canton, a neighborhood on the waterfront in Baltimore that I was not familiar with (I hardly ever go into the city). We were to meet at a coffeehouse on O'Donnell Square, and being early Sunday morning there was plenty of parking along the streets. I went into the Daily Grind and was told the group had already gone off to paint. Back outside, I was immediately attracted to the bright colors of these old rowhouses facing the square, but walked around with my camera exploring for a bit before coming back to my first choice for painting. I found a nice bench in a shady spot on the square and set up right there.
Right as I was finishing the painting, two ladies came up to me--they were MAPAPA members--and we chatted for a bit. Turns out one of them, who is the president of the group, had been painting on the other sidewalk opposite from me the whole time, but with the cars and objects in between, I had not seen her at all. We talked about next weekend's event in Annapolis and I learned about other activities the organization is planning, such as workshops. This outing seemed to be much looser than the previous one at Great Falls where we'd met after painting and critiqued the work, so after a brief visit with the ladies, I headed home for lunch and other afternoon home labors.
Last Sunday I joined other MAPAPA members for a paint-out in Canton, a neighborhood on the waterfront in Baltimore that I was not familiar with (I hardly ever go into the city). We were to meet at a coffeehouse on O'Donnell Square, and being early Sunday morning there was plenty of parking along the streets. I went into the Daily Grind and was told the group had already gone off to paint. Back outside, I was immediately attracted to the bright colors of these old rowhouses facing the square, but walked around with my camera exploring for a bit before coming back to my first choice for painting. I found a nice bench in a shady spot on the square and set up right there.
Right as I was finishing the painting, two ladies came up to me--they were MAPAPA members--and we chatted for a bit. Turns out one of them, who is the president of the group, had been painting on the other sidewalk opposite from me the whole time, but with the cars and objects in between, I had not seen her at all. We talked about next weekend's event in Annapolis and I learned about other activities the organization is planning, such as workshops. This outing seemed to be much looser than the previous one at Great Falls where we'd met after painting and critiqued the work, so after a brief visit with the ladies, I headed home for lunch and other afternoon home labors.
Saturday, September 6, 2008
After the Storm
Tropical storm Hanna came into our area this morning. From the media build-up you'd think we were about to be hit with a category 5 hurricane. They were actually advising people to lay in stores of flashlights and extra water! Hanna turned out to be a well-mannered lady and brought only rain and gusts for about six hours between eleven AM to five PM. In the evening, a golden glow in the sky outside my window beckoned and there, after the storm, was a brilliant rainbow.
Thursday, August 28, 2008
At Great Falls Park
Great Falls Park, oils on canvasboard, 11" x 14"
This painting is now framed, and selling for $450 at Gallery 1683 in Annapolis.
Last Saturday I got up early to to paint at Great Falls at my first MAPAPA event. It was another delightfully cool August morning with beautiful weather. The park was deserted when I got there; I lugged my gear from the parking lot to the other side of the Tavern. Despite the great conditions, the force was not with me. After picking my spot and starting to set up, I realized I'd lost a crucial piece of my Guerilla paintbox along the way--the knob that holds the lid which is the painting holder. Going back to find it (I was lucky to recover all the pieces) cost me the first hour. Then the focal point of my composition (the C and O barge on the canal) got moved after my painting was too far along to change, so I gave up on that one. I finally started this painting around eleven-thirty, with a bare hour and a half to try to finish before critique time. Needless to say, I wasn't able to finish it, but it was a nice start. I finished it later in the studio from my photos.
Contact me at elemaza@verizon.net if you are interested in buying it. The price will go up after it's framed.
This painting is now framed, and selling for $450 at Gallery 1683 in Annapolis.
Last Saturday I got up early to to paint at Great Falls at my first MAPAPA event. It was another delightfully cool August morning with beautiful weather. The park was deserted when I got there; I lugged my gear from the parking lot to the other side of the Tavern. Despite the great conditions, the force was not with me. After picking my spot and starting to set up, I realized I'd lost a crucial piece of my Guerilla paintbox along the way--the knob that holds the lid which is the painting holder. Going back to find it (I was lucky to recover all the pieces) cost me the first hour. Then the focal point of my composition (the C and O barge on the canal) got moved after my painting was too far along to change, so I gave up on that one. I finally started this painting around eleven-thirty, with a bare hour and a half to try to finish before critique time. Needless to say, I wasn't able to finish it, but it was a nice start. I finished it later in the studio from my photos.
Contact me at elemaza@verizon.net if you are interested in buying it. The price will go up after it's framed.
Friday, August 22, 2008
Brookside Gardens
Summer at Brookside Gardens, oils on archival canvasboard, 11" x 14"
This painting is now framed and selling for $450 at Gallery 1683 in Annapolis.
About twenty-five years ago Herb and I lived a block away from this beautiful botanical garden in Silver Spring and we used to go for walks there frequently. In fact, I was just starting to paint plein air watercolors in those days and worked outdoors in all seasons and weather conditions: lovely spring days as well as blustery fall days when my hands ached from the cold, nose freely dripping on my artwork (mixed media?). It was good training for an aspiring painter. Later on I had my very first solo show in the small lobby of their greenhouse and sold one piece.
Since those days Brookside has built a new Visitor's Center, completely fenced in and redesigned the gardens so that there no longer are any wild areas. Last week I was meeting an old friend who lives nearby. We agreed to meet at Brookside so I decided to come early to paint for old times' sake. This view of one pond was about the only place I could find that remained recognizable. I stood under a gazebo on what once was a tiny island where Canada geese used to nest.
This painting is now framed and selling for $450 at Gallery 1683 in Annapolis.
About twenty-five years ago Herb and I lived a block away from this beautiful botanical garden in Silver Spring and we used to go for walks there frequently. In fact, I was just starting to paint plein air watercolors in those days and worked outdoors in all seasons and weather conditions: lovely spring days as well as blustery fall days when my hands ached from the cold, nose freely dripping on my artwork (mixed media?). It was good training for an aspiring painter. Later on I had my very first solo show in the small lobby of their greenhouse and sold one piece.
Since those days Brookside has built a new Visitor's Center, completely fenced in and redesigned the gardens so that there no longer are any wild areas. Last week I was meeting an old friend who lives nearby. We agreed to meet at Brookside so I decided to come early to paint for old times' sake. This view of one pond was about the only place I could find that remained recognizable. I stood under a gazebo on what once was a tiny island where Canada geese used to nest.
Wednesday, August 20, 2008
Cartoon of Nancy Pelosi
You may not agree with the politics, but I had great fun doing this cartoon to illustrate my article "Masters of Green" written jointly with my husband Herb Borkland. We did the article for Cubanology Bi-Weekly Issue #10, a free forum for political discourse and opinion published on line by my friend Jose Reyes. You are invited to read the article and comment.
The original of the cartoon is for sale, if anyone would care to make an offer, I'll consider it. It's watercolor with pen and ink, 12" x 9" on archival sketch paper.
The original of the cartoon is for sale, if anyone would care to make an offer, I'll consider it. It's watercolor with pen and ink, 12" x 9" on archival sketch paper.
Friday, August 15, 2008
Painting the Lotus at Mattawoman Creek
Wild Lotus, watercolor, 10" x 5", $100.
After lunch at Mattawoman Creek park, Linda and I put the kayak in the water, loaded our gear and started paddling upstream. In this tidal area the waters are so calm it was difficult to detect much of a current but according to a fisherman we passed, the tide was going out . We paddled lazily past marshy banks of pickerelweed and spatterdock with some grassy plants that might be wild rice. We went round a bend and behold--here were expanses of the creamy yellow blossoms of the native American lotus at the height of their glory!
We continued upstream to a tiny island where Linda had gone swimming other times, but the water weeds were so thick near the shore it wasn't very appealing, so we gave up on swimming and explored on foot instead. We found several spikes of bright red cardinal flowers, pink butterfly weed and hog-peanut vines in flower. A bald eagle soared overhead, its white head majestic in the sunlight. A couple of fishing boats trolled past. With the sun at a lower angle now, it was just the right time to paddle back to paint the lotus.
We pulled into the lotus stand and parked the kayak near one blossom starting to open among several emerging leaves, their curious folds forming half moons sticking out of the water. I looked behind me and was amused to see Linda floating her small watercolor set on top of a lotus leaf (I'm used to holding mine in my left hand like a palette because it has a thumb-hole). I snapped a shot with her camera.
A splash behind us proved to be an osprey diving for fish. The osprey missed its prey and circled around for several passes but eventually gave up and flew away. We finished our sketches around six and paddled back in the evening light at the end of a marvelous day. I felt exhausted but my spirit overflowed with joy at the sight of so many lovely lotus flowers. It had been a perfect lotus day!
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