Shale Violet and New Works

Shale Violet (Viola sororia), watercolor, 11" x 15".

Here is the finished piece, finally -- Shale Violet, photographed under better light.

Below is my next work in progress, the native flame azalea (Azalea calendulacea), still a ways from finished, but coming along. This is the first piece on which I've used the palette of Winsor yellow deep, scarlet lake, and Winsor blue (green shade). The deep yellow seems just about the right color for the flowers, but I'm struggling to get the green shades accurately within the possible range for this palette.

Flame azalea painting in progress

The purples that can be mixed from the Winsor blue/scarlet lake combination can also be difficult--too gray or brown if the balance isn't just right, though beautiful when one can get them just so. You can see a bit of the purple washes in the underpainting of the flowers at this stage. I'm putting in those thin, long red pistils with colored pencil; later on perhaps I'll apply touches of scarlet lake straight from the tube to punch them up. It's always exciting to the working on a new piece!

A Work in Progress

Shale Violet (Viola sororia) , watercolor 11"x 14".

I'm currently working on this small painting of wild violets I found growing in the rocky shale of my back yard. When I came across them the first spring after we moved here, I marveled at how they could grow in such an inhospitable terrain. They have reappeared every April since and usually are gone by the end of May.

The most salient feature other than their tiny size is how hairy these violets are--nothing like the common wood violets I was used to seeing. I figure they must be a different species, and indeed, I believe these are actually related to the mid-western hairy blue violet (Viola sororia) if not actually that species. I read recently that a variety of wild violet that grows in shale had been identified in southwestern Virginia and classified as a new species, and wondered, could these be that new species?

The hairs are the detail which I'm working on right now (not shown above), using a fine point pen with white ink to bring them out. Once the ink dries, I'll go over them with a light yellow wash, and hope it looks convincing. We'll see how it turns out.

This painting represents a departure from the conventional lighting used on botanical paintings, in which the light comes from the upper left hand of the image. Here the light is coming from the right, and is very low on the horizon (the photos were taken in the evening). And I've included a bit of the ground too, showing the shale. My image is a bit yellowish because it too was photographed at sunset; in reality the greens in the painting are much cooler except for the bits of sunlight on the leaves.